
the sky
has gone
Goth;
dyed its hair
inky black;
the dark clouds squinch
like too tight jeans
letting
no light
through;
a Greek chorus of crows
caw
from the bare boughs;
thunder
mumbles
like Nick Cave’s intro
to Red Right Hand
the sky
has gone
Goth;
dyed its hair
inky black;
the dark clouds squinch
like too tight jeans
letting
no light
through;
a Greek chorus of crows
caw
from the bare boughs;
thunder
mumbles
like Nick Cave’s intro
to Red Right Hand
There’s a miniature submarine lurking
at the bottom of the aquarium .
It is smooth and black with feathery gills .
It is an axolotyly .
We call him Axle , of course .
Most of the time he just hangs around
amongst the water weeds .
Perhaps he’s lonely and depressed .
But every now and then
he rouses himself
and cruises around as if on patrol .
The other fish give him right of way .
Perhaps he thinks he really is a submarine
on an important mission ,
keeping the waters safe for democracy ,
for instance .
Sometimes when he cruises past the sides
of the tank
I give him the thumbs up .
It seems to give him a lift .
On the shortest day
I take the longest run
between one jetty and the next
and back again
rest myself against the rump
of a dune
listen to the sea shanties of the waves
while a mermaid appears, rises above the waves
swinging her wild, wild hair
in the sun-drenched breeze
until spotting me she coyly slips
beneath the water.
The jetty wades a little deeper into the sea
to catch a glimpse.
On the shortest day I tell
the tallest tales.
Every time I sit out the back on my three chairs a bloody poem
comes into my head. The Muse is not silly. She sees me sitting there, happily
drifting off like a Labrador in the winter sun
and says, ‘Aha: there’s a sitting duck’. I don’t know if sitting on fewer
chairs or more would make a difference. I suppose I could experiment.
I could bluff my way into intensity by having a book of heft
say ‘Sabbath’s Theatre’ open in front of me and my glasses resting
professorially on the bridge of my nose, my chin resting on my hand
in faux concentration. Maybe that would work
but She’s not buying it; She nudges up to me, the swish of Her gown
over the carpet of bluebells, the murmur of bees, Gus, the Jack Russel
yelping at ghosts next door, and says, I’ve got one for you
and She whispers a line in my ear, and she sure has, and I leap out
of my three chairs and dash into my study, onto my laptop where I’m
pounding down this poem, the one you’re reading, right now
…. and now for something lighter: Can you come up with other cheeky titles to add to this list of Imaginary Books? or even, if you’re up for it [excuse the pun] write a paragraph or two ?
If my poem had long hair
dyed black
& a voice
gorge deep
& musky honeyed
as Chris Hemsworth
you’d listen
If it had abs
biceps
a chiselled face
like The Rock
you’d pay attention
if my poem was lean
& loose
exuded menace
you’d come onto it
so, baby, couldn’t you
close yr eyes
yr ears
& imagine?
Looking at the long, narrow columns of ‘Le Coeur Immense’
and trying to read the text with the French I have long forgot
is like that time I rode the train having just purchased my copy
of Sgt. Peppers that no radio station had yet been allowed
to play and trying to hear the ornate aural castles the Beatles
had constructed from reading the lyrics on the album’s
psychedelic sleeve
I am looking down the barrels of
the red pencil sharpener
its holes
big as drainpipes
fat as full moons
flared like the nostrils
of horses;
they are
deep wells
dark tunnels
O-shaped mouths hungry
for pencils
The red pencil sharpener sharpens
my imagination
Zoom Workshop: I am running a writers’ workshop on ‘Sharpening the Imagination’: tools and techniques for doing so. You are invited to attend. It will be a workshop run by the Vienna Writers Club but it will be broadcast from my home state, South Australia. participants can come from any country. It will be run towards the end of January 2021. Details can be found by Googling ‘Sunday Writers Club Vienna’.
Perhaps I am a porcupine.
I am prickly by nature
& when I forget to shave
I have a prickly kiss,
Like most porcupines
I live alone
except when I cohabit
with other porcupines
in which case, I’ve been told,
we live in a prickle.
When my quills are quivering
people steer clear of the thornbush
that is me.
*what animal are you like?
*want to add a little poem about yourself as that animal?
I’m always amazed how they go in
Without thinking
Then close the steel doors on themselves.
Haven’t these people any imagination?
Sometimes they are bunched up in there
like sardines in a can.
Speaking of cans I can’t help thinking of the Kursk
how those poor submariners were coffined
in a can.
Speaking of coffins, that’s what they remind me of.
Lifts.
Vertical coffins.
Going Down?
My counsellor says I have too vivid an imagination.
Isn’t that what writers are supposed to have?
Anything can happen.
I think of ‘The Towering Inferno’ and those people
plummeting to their deaths when the lift cables
snap
or in ‘Speed’ when they are cut.
And my counsellor says to calm my farm!
Speaking of farms I think of cattle being trucked
to the slaughterhouse and not knowing
till it’s too late.
And speaking of not knowing, and I promise I won’t
speak of ‘speaking of’ again but I bet poor old Nicolas White
never knew when he stepped into an elevator back in 2008
that he would be trapped in it for 41 hours.
No food. No drink. No cell phone. No company.
I don’t know if those people got out at the other end
or not
but I’m taking the stairs.