Bars

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They gave me a number to phone

And when I phoned that number —

When I eventually got through —

They gave me two more numbers

With even longer waiting times,

 

But they all said the same thing,

tone deaf to reason and compassion,

the Shylocks of bureaucracy.

 

Whichever way you turned

You got the same answer.

They had it all sewn up.

You were already in prison

Behind bars intransigent as iron.

 

  • photo by Damir Spanic on Unsplash

 

 

The Girl with Incarnadine Hair

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“Sorry, you have to move.”

“What?”

“You don’t belong here. You’ll have to move.”

“But I was here first. You saw me walking up and down with my multitudinous strands of hair incarnadine.”

“That’s it.”

“What’s it?”

“You can’t have ‘multitudinous strands of hair incarnadine’ in a poem about waiting for a poem to pull up like a bus.”

“Why not?”

“It’s too heavy, too overwritten. Too Shakespearean. It changes the tone of the poem totally. It’s like two colors that clash.”

“But …”

“I’m sorry. You’ll have to move. I can’t fit you in.”

“Okay”, she says, shaking her multitudinous strands in a flurry of petulance, “I’ll write a poem of my own and guess what?”

“What?”

“You won’t be in it.”

And with that she gets out her notebook from her backpack and begins writing, furiously as Lady Macbeth cleansing her blood-soaked hands in the basin.